Tales set before, during and after the catastrophic events of The Phantom of the Opera, and others in entirely different worlds. Stories seen through different eyes: Meg’s as she notices odd changes in Christine’s demeanor, Raoul looking back on what could have been, Christine torn between two lovers, and Erik’s descent into madness and loneliness. Who will she pick? Raoul de Chagny, her childhood friend, who is rich, handsome and kind? Or Erik? The Phantom? A man who can create and destroy, who terrifies her yet understands and nurtures the potential within her? In this collection of fifteen short stories inspired by Gaston Leroux’s The Phantom of the Opera, Christine Daaé finds herself in strange realms, but one thing is always certain – the two men she must choose between. It is also available on Kindle Unlimited. As with Phantom of the Opera, the text of Wikipedia is available under the GNU Free Documentation License.Hi :) I just wanted to share my recently released story collection. The list of authors can be seen in the page history. The original article was at Don Juan Triumphant. The opera breaks up into chaos when she exposes his horribly deformed face and Piangi's body is found, leading to the finale of the musical ("Down Once More"/"Track Down This Murderer"). Passarino will announce his return later, prompting Don Juan to suggest that Aminta hide with him in a bedroom to avoid being found.Īs soon as Piangi slips into a hiding place to await the start of the scene, he is quietly strangled by the Phantom, who takes his place and in the Andrew Lloyd Webber musical sings " The Point of No Return" with Christine before declaring his love in front of the whole audience. According to the plan, he is to leave the house before Aminta arrives for a dinner with Don Juan, who has assumed Passarino's identity. Passarino, dressed as Don Juan and hiding his face, is the one who made her acquaintance. In the Andrew Lloyd Webber musical, only a small portion of the opera is seen onstage, in which Don Juan (played by leading tenor Ubaldo Piangi) and his servant Passarino make plans for Don Juan's seduction of the maiden Aminta (Christine). Viscount Raoul de Chagny, Christine's fiancé, devises a plan to capture the Phantom by using her as bait to lure him to the performance. The work is forced on the opera company by the Phantom, who expects Christine Daaé, the object of his affection, to perform in it. Employed as opera within an opera, it is a thinly veiled adaptation of Mozart's Don Giovanni which premiered in Prague in 1787, only told from Don Juan's point of view.
Don Juan Triumphant is the name of a fictional opera written by the title character in the novel The Phantom of the Opera by French novelist Gaston Leroux (on which the musical by Andrew Lloyd Webber is based).
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